Yamaha Custom Series saxophone mouthpieces are sculpted out of choice ebonite, a high-quality hard rubber which offers a deep resonance and tonal qualities similar to those of natural wood. Every step of the production, from the initial shaping of the mouthpiece ‘blank’ to the final hand crafting of the facing, is done by Yamaha’s experienced artisans for complete control ensuring consistent high quality.Yamaha has spent years working together with many of the world’s greatest musicians, studying their mouthpieces and discovering ways to improve them. The Custom Series incorporates this experience in the design and manufacture of every mouthpiece in the series.

Yamaha mouthpiece patches prolong the life of your mouthpiece by preventing tooth indentations. The patches are clear and.5mm in thickness. Choose Small for Soprano. Yamaha mouthpiece patches prolong the life of your mouthpiece by preventing tooth indentations. The patches are clear and.5mm in thickness. Choose Small for Soprano. Yamaha Mouthpiece Patches for Saxophone. Mouthpiece Patches & Pouches. Sax.co.uk are leading stockists of Saxophones & Saxophone.

The Custom Series mouthpieces are characterized by a warm rich tone with exceptional clarity. Legends Of The Old West Showdown Pdf more. Their accurate intonation and comfortable playability have made them popular with many leading artists. The Standard Series are made out of high-quality phenol resin (plastic) and feature a design based upon the top grade Custom Series.

They are extremely consistent in specifications and playing quality, and offer excellent value for their price. The facing of this series is slightly shorter than that of the Custom Series making them easier to play, and easier for beginning students to achieve a rich characteristic saxophone sound.

They also are available in a variety of sizes, to suit the needs players of many different styles.

Placa Serial Moschip Mcs9835cv Driver. There's something very important to think about that hasn't been mentioned yet. The beak of a mouthpiece needs to vibrate as freely as possible. This is especially true of a Ralph Morgan mouthpiece. Ralph has described to me the great care and precision that goes into the design of his mouthpieces -- including the beaks.

I remember one conversation where he talked about the beak of his clarinet mouthpieces. There are, I think he said, around 20+ points (just in the beak) where the measurements have to be just right in order for the mouthpiece to play at its optimal level. If a thick black patch is used on one of these mouthpieces it dampens the sound and response to a noticable degree.

I've experimented with this and found that there is a BIG difference in sound between using a thick patch and not using one on a Morgan mouthpiece. My mind was completely blown when I did this trial on a Morgan L alto mouthpiece. Big difference -- not just in my sound but also in the horn's response. I wouldn't have believed that just a patch would have made such a difference. Frankly I'm not sure how important this is with other mouthpieces. But, it makes sense to me to experiment with whatever mouthpiece you're using to see if there is a difference in the sound in using or not using a patch.